In Writing Nothing Backwards, Farrah seeks to deconstruct the socialization and impositions placed on the mind and body by removing all references in order to step out of a paradigm. Anchored by the use of repetition and layering, She attempts this through  metaphorical language using Asemic writing that is devoid of all syntax and references. Her intention is to provide moments of introspection and contemplation within the drawings through the excavation of memories by suggesting instances that form our perceptions of reality.